Stalking Emma Dryden

from Craig Lew

Rancho Santa Margarita, California:

It all began in a Borders Book Store thick with the smell of espresso and the sound of soccer moms gossiping.  

Yeah, that long ago...

I thought I’d do some research in the kid lit arena, possibly write a few kids books between film projects.  Should be easy.
Yeah, that naive...

I picked up a book off the Best Seller shelf with a one word title.

“WTF?  Who in their right mind would take a chance on an edgy YA novel written completely in verse?”

A rapid Google revealed the agent.

One Year Later...

Mentish Retreat November 2012

It's hard to believe it's been a year since we launched Turbo Monkey Tales. So much has happened since our first blog post! In honor of our anniversary we thought we'd all take stock and offer our own personal Year in Review.
So, without further ado, here's what the Turbo Monkeys have been up to for the last twelve months!

Hazel Mitchell

• New books include: 1,2,3 BY THE SEA from Kane Miller, ONE WORD PEARL from Charlesbridge and DOUBLE CROSSED AT CACTUS FLATS from ABDO. 
• Completed illustrations for HIGHLIGHTS MAGAZINE and educational books. 
• Spoke at SCBWI conferences in Paris and New England.
• Signed with a school booking agent http://authorvisits.com
• Visited several book festivals (including Bologna Children's Book Fair, The London Book Fair and ALA Chicago), book stores and schools!
• Now working on a new book with Charlesbridge due in Fall 2014!

Amy Allgeyer Cook

It’s been a pretty exciting year for me. I (finally) finished the first draft of my young adult novel, Water for Starfish, during NaNoWriMo, then spent the next six months in revisions. 

On May 14th, I sent out my first wave of agent queries. Over the next two months, I received full requests, form rejections, more full requests, rejections on fulls, more full requests and … more rejections. Then, on July 15th, came an offer. YAY! Big squees! I let the other agents who had open queries or full manuscripts know that there was an offer on the table. And I gave them two weeks to finish reading and get back to me. Two weeks later, I had three offers of representation from three absolutely freaking amazing agents, every one of whom would have been stellar to work with. Unfortunately, I had to pick JUST ONE! 

After a very thoughtful weekend spent in Reno with some very dear writer friends, I decided to go with Danielle Chiotti of Upstart Crow Literary. I’m so excited to be a part of the Upstart Crow team and to be working with Danielle, especially!

Sarah McGuire

Last year, our blog's first day was also the first day of preservice in my school district. That seems fitting, since it was also the first year that I taught Creative Writing, which was truly an adventure.

Since then, I...

• Finished the Highlights workshop with Patti Gauch in October, which helped my jump into revisions on VALIANT
• Started submitting VALIANT on February 14
• Spent spring break angsting about VALIANT while vacationing at the oh-so-fabulous When Words Count retreat. (Yay for sweepstakes!)
• Signed with Tracey Adams of Adams Literary in April (I'm still happy dancing!)
• Finished school year and VALIANT revisions the way most teachers do– sleep deprived and somewhat incoherent
• Drove cross-country to help a friend move to Washington state. I even stopped in Reno on the way back to meet with a few of Monkey tribe! VALIANT has traveled as well- venturing out into the world as it looks for a home.

This week, it begins again. During preservice, I'll be preparing for Algebra II, College Algebra Trig, and of course, Creative Writing. 

Craig Lew

In this year of the Turbo Monkey: 

1) My movie ROCK JOCKS released in Theaters in June - Available on iTunes and Amazon http://www.rockjocksthemovie.com

2) My Augmented Reality App BPZapp became available in the iTunes App Store and Google Play 

3) My Augmented Reality graphic novel, THE GOTHS: THE HUNTRESS (available on Amazon) was a finalist in the Indie Excellence Book Awards.

4) My latest acquisition, SMELVIN AND GOULASH BOY (written by Amy Allgeyer Cook, Edited by Lorin Oberweger, illustrated by Hazel Mitchell) will release in print, iBook and enhanced with Augmented Reality in Fall 2013.

5) Spoke at the Boise Cutters and Idaho Media Professionals Film Groups

6) I adopted Smittens, the kitten with the marshmallow mittens. 

7) Raced in the Idaho State Criterium Cycling Championships and lived

8) Met many new people and made some amazing friends.

I have two pending deals which could be huge...but I cannot talk about them yet.

Julie Dillard

Year highlights:

I feel really fortunate to have had the opportunity to attend TWO inspiring conferences this year--the Ventana Sierra Advanced Writers Workshop and SCBWI's Summer Conference in Los Angeles. I'm attacking my stories with fresher enthusiasm because of the focused time those experiences provided to hone in on craft and process. I am in a rewarding new teaching position, which means I have to draw on all the thoughtful advice I get from fellow writers to make progress in the limited time I have. One method I've adopted is getting up at 5am to sneak in an hour of writing before rushing off to work. The best side effect is having the story simmer in my head all day long! The very best part of this year has been, through conferences and great meet-ups with writer friends, abundant reminders of how very kind, funny, and compassionate--even heroic--people who write for children can be. Bring on the new year!

Kristen Crowley Held

Just a couple of days after our first blog post in 2012 I participated in the awesome online children’s writers conference WriteOnCon. This year’s conference starts tomorrow and, trust me, you won’t want to miss it! I also found inspiration at several in person SCBWI conferences and events where I reconnected with old friends and discovered new ones. By far my favorite part of this past year was attending the book launches of several writerly friends and crit buddies. I also had the pleasure of seeing my name in the acknowledgements of a real live book for the first time (if you haven’t read Katherine Longshore's TARNISH, go buy a copy right now, I’ll wait!). After much back and forthing, I broke up with my MG fantasy novel once and for all (or at least until I can figure out how to make it the wondrously magical thing I want it to be). With the help of a two week fast draft class run by Candace Havens, I wrote a “discovery draft” of the YA mystery (BLURT) I started at our mentish reunion at the fabulous St. Mary’s Art and Retreat Center in Virginia City, and next month I’m off to the Writer's Police Academy to make sure my manuscript “won’t bleed red ink later.”  I’m excited about getting BLURT to the beautiful/shiny stage and will be hopping on the query roller coaster later this year. Wish me luck!

Ellen Jellison

For the past year, I’ve been working on a middle grade historical/fantasy novel set along the Danube River in 170 AD. Ancient Roman and Germanic mythology is woven throughout the story, at times in real life, then fading back into mythology. Getting it right has been a challenge. The book is called JUSTUS, although I call it my Never Ending Revision. I’m finally on the last chapters, so yippee!  Two conferences that I recently attended and can highly recommend are the Speakeasy Literary Society’s retreat at Fallen Leaf Lake, and Terri Farley’s Ridin’ Writer’s Workshop. Both were intimate in nature, yet very powerful. I left both with new friendships, new ideas, and a rejuvenated determination in finishing JUSTUS, no matter how long the journey! My favorite word is perseverance, one familiar to all writers and illustrators . . . hang in there and keep on truckin’!

Marilyn Hilton

This has been a wonderful year with the monkeys! Although I didn't lose the 10 pounds I'd hoped to, I read lots of fabulous middle-grade and young-adult novels that have entertained, inspired, amused, educated, and enlightened me. I also attended several writers conferences and retreats, including three SCBWI regional conferences with Kristen, the Speakeasy Literary Society Retreat in April with Ellen, and the SCBWI Summer Conference in LA with Julie and Craig. It was a treat to have that time with them and so many other inspiring writers of children's literature. In October, a YA manuscript I'd been working on won the First Page contest at the SCBWI San Francisco North & East Bay conference, and I've continued working on that manuscript, along with a few others. But most of my writing time and energy this year have been spent working on revisions of my debut middle-grade novel, FOUND THINGS, which will be published by Atheneum in summer 2014. (The photo is me with my wonderful editor, Namrata Tripathi.)

I can't imagine having taken this journey so far without the monkeys, and I'm so excited to see what the next year brings for us all!

Ventana Sierra Advanced Writer's Workshop - Defining Giving Back

Greetings Turbo Monkeys

I write this from Carson City, Nevada, where I am experiencing the first ever Ventana Sierra Advanced Writers Workshop.

I’ve learned to include sales figures, articles and social media stats in my Pitch Kit by Laurie McLean.  http://forewordliterary.com

How to “turn” a pitch by Michael Bourret (and what the market is seeking at this moment)  http://www.dystel.com/staff/mike.html

To ask the right questions by Judith Curr

http://imprints.simonandschuster.biz/atria

Why this book?

Who will read it?

How will you tell your readers about it?

... Most important “What kind of cake is it?”

Lorin Oberweger taught me that slow things should be told quickly and that fast things should be experienced slowly and with great detail.  http://www.free-expressions.com

This world builder learned from Emma Dryden that not only should I describe the physical landmarks but I should also create the tenets, values and emotions of the worlds I design.  And that the world within my characters should also be as deeply detailed.  

http://www.drydenbks.com/about.html

This is an amazing workshop and I highly recommend you be here next year.

But seriously, the biggest lesson I learned at Ventana Sierra was the definition of giving.

The faculty gave back their honorariums, others gave scholarships, Ellen Hopkins is giving back to writers...but the Ventana Sierra Organization is giving so so so much more.

Ventana Sierra was formed specifically to help highly motivated young people, who desired college or career training, but were financially unable to accomplish their goals to build solid career paths toward a more positive future. The application process is stringent, the expectations high. Those who enter the program must commit to a minimum of two years substance-free, and maintain a 3.0 GPA if they choose a college track. Those entering career apprenticeship programs must receive regular above average reviews by their mentors.

In exchange, participants will receive housing, tuition and books, transportation, medical care and life skills classes.

"We're new, so we're trying to jumpstart the program now. We have purchased our first house, which will serve up to six young people, and hope to purchase another house by the end of the year so we'll have living quarters for twelve, six boys and six girls. So it will provide housing, life skills classes, food, medical care if they need it—whatever assistance they need to be able to concentrate on learning or reaching career goals without having to, you know, struggle by living on the street, or by, or whatever. I just want to make it easy for them to be able to get that." 

 --  Ellen Hopkins

Take a moment from learning your craft, from designing your world and from your writer’s life and visit http://ventanasierra.org

Is there something you can give? 

Likes? Shares? Time? 

Have a wondrous day!

Monkey #1s: The One Thing You Wish You'd Known When You Were Just Starting Out

Amy:  I wish I’d worked harder at studying the craft when I first started (and not just spewed words onto a page.) You do learn by writing, but it’s a trial-and-error sort of learning.

Craig:  That YA should be in first person.

Ellen:  I wish rejection letters had not had such an impact on my early writing, and that I should persevere.

Hazel:  I wish I’d started earlier.

Julie:  Do it entirely for love of it, for the writing itself. That's the only thing (besides the friendships) that will keep you going.

Kristen:  There's no such thing as a day off when you're a writer.

Marilyn:  I wish I had known that writing would take lots of guts, determination, and manufactured confidence

Sarah:  (I heard it but I didn't believe it.) It's going to take a while. It's going to take time to be half as good as I'd like to be. It's going to take a while to become familiar with the industry. But more than that, it's okay if it takes that much time. Lots of good stuff happens along the way, if you have the courage and sense of adventure to stick it out.

Concept, Concept and more Concept...

Gracious good day my fellow Turbo Monkeys, 

Last time I wrote about how important it is to start with a great concept before you begin writing word one, 
but what is a great concept?

Because of my film background you might think I’m talking about “high concept”...but a high concept is not necessarily a blue print for a great story.

“What happens when a bored married couple's "Date Night" goes wrong?” Wacky fun!  

“Snakes on a Plane"  More wacky fun?  No...(although it might have been better as a comedy)

Both high concepts and yet considered flops.

So, high concept is not a guarantee of commercial success, but it does aid in the sell-ability of your story, and really this is why publishers and agents are in business.  

Buffy the Vampire Slayer  = “What if a cheerleader hunted vampires?”
Jaws                               =  “What if a shark stalked humans?”
Toy Story                      = “What if your kid’s toys had secret lives?”

Perfect examples of high concept stories with universal appeal, short concise pitches and a promise of potential.

A high concept is a great formula to streamline your premise, it helps, but it’s not always the indicator of success. For example...

Star Trek
Star Wars
When Harry Met Sally

Are all great concepts but not exactly “High Concept.”

A great concept, does not necessarily have to be a high concept but it should have what I call the UP UP elements.  

1. Universal appeal - Is your theme understood by many?
1. A primal theme of survival?
2. A romantic theme of finding love?
3. A nobel theme of saving a loved one?
2. Poses a question - “What if...” “Who is...”  “Why did...”
1. "What if your reality was just a computer game?" = Matrix
2. "Who is Forrest Gump?" = Forrest Gump
3. "Why did Schindler save the Jewish workers?" = Schindler's List
3. Unique - Original or a spin on something familiar.  
1. Human girl falls in love with glowing vampire = Twilight
2. Ex lovers chase tornados = Twister
3. Man is castaway on a boat with a tiger = Life of Pi
4. Promises Potential - Potential of laughter, drama, fear, romance or $$$

The promise of potential is a bit subjective but it should be as obvious as one eastbound train and one westbound train on the same track.  

A great concept is generally pitch driven.  Three sentences or less that paint a picture in the reader’s head, states your theme, poses a question, promises potential and most of all causes “Cha Ching” to ring in their ears.

I hope this helps you form a great concept and gets your writing to a new level.

Building a Fantasy World

by Sarah 

I'm mostly-kind-of-almost finished with VALIANT, a YA retelling of a The Brave Little Tailor. For the past year, I've been living in– and creating!– a fantasy world that I hope readers will want to enter. I want it to be so real, so vivid, that someone will feel homesick once the story's finished. 

I'm still learning this worldbuilding thing, but I did gather a few tools along the way. There are tons of websites with worksheets that help you expand your world's culture(s). (Google 'worldbuilding.') However, I found I needed the most help with naming and visualizing my world. So I'd to share what I used for: 

Character names

See Kristen's excellent post! (Or ask Craig. I wrote a few weeks before giving my MC a name– and it was finally Craig who suggested Saville.) 

Place Names

Wikipedia is your friend! It wasn't until I'd gotten through most of the story that I realized the river in VALIANT felt like the Krivija, a river I loved in Bosnia. But I also based the river on the Danube. So I looked up the Danube in Wikipedia. The article provided a ton of place names that I could adjust and use. I can't tell you how many times I've sifted through Wikipedia for place– or character– names. 

The process reminds me of looking through a thesaurus. You may not know what you're looking for, but you'll know it when you see it. 

Fantasy Language 

VALIANT needed a few words in the giants' language. I felt completely overwhelmed until I found Definitions. I'd type in a word like 'little' or 'traitor,' click 'Translations' on the right, and then see the word translated into about twenty different languages. (I LOVE this website!) Often, I'd find a word that sounded almost right. Then I'd play with sounds and syllables it was just what it should be. 

A word of caution: be sure to keep the sound or feel similar. You probably wouldn't want to claim that Hindi and German-sounding words come from the same language. 

Music

It isn't easy finding a playlist for a fantasy. But never fear! Use Pandora. For those of you who aren't familiar with the website, you can create a station by suggesting songs that you like and then rating songs that the website plays. It takes a little time, but it's worth it. And it has access to movie soundtracks, which was perfect. After a little tweaking I created a station of soundtracks and composers that matched the feel of VALIANT. (It's a combo of Lord of the Rings, Last of the Mohicans, Gladiator, Braveheart, etc...)

Rambling ahead:

May I add that while I don't daydream about Oprah mentioning my book, I DO fantasize about Peter Jackson making it into a film? Two reasons: 1) He'd film it in New Zealand, and I'd have to visit at least once to squeal over the sets, and 2) I want to hear what Howard Shore would do with the giants' songs. I don't know how they sound– just how they make the listeners feel. But I bet Shore could figure that out.... 

Annnnd... back to our regularly scheduled programing:

Faces
After a while, I needed faces for my main characters. I knew roughly what they looked like, but I wanted pictures. And I knew Lord Verras did NOT resemble any member of One Direction. I needed more than a Google Image search. So I went to London's National Gallery website and searched the paintings by century. It was like searching a crowd for a friend's face. 

I thought about sharing the portraits here, but I don't think they'd work. For me, the search was as much about the emotion in the portrait as the face itself. Still, I discovered such interesting things about my people! For instance, I knew one character was chubby but I didn't know he was swarthy until I saw his portrait. 

I know there are a million other resources out there. I'd love to hear from you: What have you used as you write fantasy? 

Concept, Concept, Concept or My Dinner with Bill

by Craig

It’s been a decade now, since I had a fateful dinner with Bill.  I had completed a four-year run with Dreamworks SKG and successfully sold my first feature film, world-wide.  

Bill had recently lost his job of more than 7 years.  I could tell he was uneasy. We had never met and he didn’t know anything about me.  

I had been writing artsy indie scripts, having tired of the studio formulaic blockbusters.  Bill had a similar outlook.  LIke me he was opening his own "indie" film production company.  We started with a quick intro from a mutual friend (MSU Alumni) and eventually got on the subject of story and Bill said something that would change my life.

“Concept, Concept, Concept.  If you have a strong concept and a weak screenplay I can still do something with it.  But if you have a weak concept...even with strong writing it is almost impossible to sell.”

Now, you might be thinking this is not eye opening, especially coming from someone who had recently lost his job and was just starting an “indie” film production company.  But Bill knows something about story.  You probably don’t know his name or recognize his face, but Bill Mechanic KNOWS story.

Bill Mechanic took a doormat studio all the way to number 1...in THE WORLD!  Along his journey he was responsible for films such as X men, Ice Age, Braveheart and a little film called Titanic.  He hired James Cameron, fired James Cameron then hired him back again.  Bill also was responsible for a film starring some guy named Brad Pitt titled Fight Club.  This same film just happened to be largely responsible for Rupert Murdoc firing Bill Mechanic as the CEO and Chariman of Fox Studios.  (even though it garnered $37 million) Since leaving Fox, Bill has produced The Oscars and the animated film Coraline.  

Some of you might be wondering what this has to do with writing a children’s novel or picture book.  I believe everything.

At the time I was dining on chicken cordon bleu with Bill, the film industry was going through a similar constriction as the publishing industry is right now.  The bigger “houses” were reducing their slates, making fewer films.  Agencies were reducing their client lists, keeping only those A listers with proven box office history.

Is this sounding at all familiar?  

The indie film production segment was forced open by the emergence of technological advances like the DVD, Non linear film editing software and Digital Video Cameras which allowed smaller companies to create quality products at a much lower cost.  

Again, a similar change is occurring in our publishing world with Ebooks, Augmented Reality and Smartphone Apps.
  

But back to Bill and his wise words.  Three short months after our dinner, I penned a Horror screenplay with a focus on concept.  Not only did Script magazine give it an award but it gave me a shot at a three picture deal with Brillstein Entertainment.  

It has been a decade since all of that water passed under this bridge but one thing remains true.  All these events and advances will never take away that story counts.  So, no matter how your story finds its way to the reader, to make your life a bit easier, start with a great concept.  

Fund your dream with Crowdfunding!

Lemme throw the “I want to publish my book” equation at you.

  

Line editing $6,000 + Limited income +

Printing  $1,500 + Mortgage +

Illustrator $3,500 +    =      1.5 kids +

Marketing $2,000 + Car Payment 

 ------------------------------                   --------------------------
                      $12,000                           ( -$57.23 + X)

                               How do you solve for X?

The answer is:

1. Marry a millionaire
2. Sell a kidney
3. Win the Lotto
4. Crowdfunding.

If you chose a-c, more power to you but the only answer that does not require drugs or luck is crowdfunding.

But what is crowdfunding?

Think of crowdfunding as gift giving on a global scale.

It is not venture capital investing, where you must show a profit. Nor are you selling your rights to your work. With crowdfunding, Individuals from around the world offer donations to your project, prior to publication, in exchange for a gift.

A gift?  Like a set of purple earphones?

Not exactly. 

If you’re a writer you might offer to “give” your benefactors a signed copy of your book for $20 that will cost you $10 per book to publish.  The gap between the cost and the donation is what you use to fund your editing, printing, cover design etc.

With my AR graphic novel, The Goths, I offered my benefactors the opportunity to play one of the characters in the Augmented Reality elements.  For a lesser amount we would name a character in the book after them or have their artwork used as graffiti in the background of a scene.  

So how do you go about crowdfunding?

First choose an online crowdfunding service.  Here is a list of just some of the more popular sites.

Kickstarter

Indiegogo

Rockethub

Gofundme

Do your research.  Not all the services are the same or charge the same percentage.  
Kickstarter uses an all or nothing model where you only receive funds (minus their fees) if you meet or exceed your funding target.   They are also the most well known crowdfunding site but they don't accept every project that is submitted.

Indiegogo has a flexible funding option where you receive all the funds contributed minus fees regardless of your funding target.

I chose Indiegogo over Rockethub for my "Smittens Says" campaign because it requires fewer clicks to make donations.

After you  choose your crowdfunding service, then you get "jiggy with it."

1. You create a project proposal including a synopsis, pictures, list of team members
2. record a pitch video.  That’s right.  It’s you talking, juggling your dog or pony.   Whatever fits your personality and your project just as long as it’s you.
3. create a list of gifts that people will want, your book, their name in the credits...etc. 
4. establish a paypal account
5. upload your proposal
6. market online 
7. keep marketing
8. prod friends to share your link **
9. prod them harder 
10. add project updates that include "George Clooney wants to play the lead role"
11. prod your friends with your boot, a hot fire poker and pepper spray **
12. get funded!!!

Twelve easy steps.  That's all it takes!

Lemme know if you launch a campaign.  I promise to share.  I hate pepper spray.  

** Shares are essential for any chance of success.  "Likes" won't get anyone to your campaign.  The key to funding success is volume, so you need to reach beyond your own sphere of influence.  You need the 6 degrees of online friends to achieve success.  So even if your close friends don't back you with money... REAL friends SHARE!

Writer, Heal Thyself: First Aid for Creative Types from Julie Dillard

So many of life’s worthwhile adventures include RISK.  We might suffer scrapes and bruises on the journey, whether it’s climbing a mountain, falling in love, parenting, or choosing the life of a writer/artist… 

A Cautionary Tale about a Girl Who Stood on a Chair to Hang Art

While I haven’t scaled Kilimanjaro and I’m hopeless when it comes to matters of the heart (running for one's passport is apparently not "a healthy choice"), I do have experience with effective first-aid for kid ouches. I have ice packs shaped like frogs and bunnies, bandages of every size, ointments, sticky sweet pink, purple, and red concoctions, thermometers, and a slew of books about what to do with that seal cough or goose egg.

Surely we risk-taking creative types deserve a toolbox full of comforts and cures, too, but what to put in it? Ice packs in the shape of character arcs? Bottles of fantasy-inducing potions?

I got a referral to some creative specialists and asked what they would put in a first-aid kit for various writer injuries and ailments.  There were a number of references to the healing properties of whiskey and pale ale, of course. Heather Petty touted the magical properties of Swedish Fish candies (and having read her work, I do not doubt their powers).

Gummy Muse?

In the course of my research, Kristen Crowley Held shared her experience with a writer's "first aid kit made by her husband:

Dan once made me a writer's kit when I went off to a cabin in the woods to write by myself. He checked out a bunch of books on writing/books on the subject I was writing about from the library and included them in a box with some chocolate and a note that I keep in my wallet to this day.

Mustache + Glare= Impact

(Swoon, huh? I know I wasn't the only one who made a point of leaving THAT up on the screen for a horribly neglectful spouse to "happen upon." Cough.)

Presuming you are not married to Kristen’s winner of a husband either, we just might need to (sigh) stock our own writer/illustrator first aid kits.

Next time you face

·         waiting-induced rashes of the psyche,

·         “we just bought a book exactly like it” scalds

·         conflicting rejection vertigo (I love the plot, but not so much the  character/I love the character but not so much the plot),

·         sluggish plot movement (plotstipation), 

·         or the common cold of the writing soul—self doubt,

 see if one of these cures just might deserve a place in your “artist’s first aid kit”:

Therapies:

Editor/Mentor extraordinaire Harold Underdown shows how it's done

• Snack break (posting pictures of it on Facebook optional)
• Walk it off (Nature + Escape)
• Clean or organize (bonus points if you beautify your working space). Charlene Ellen swears by a broom and a yard full of leaves to brush off the mental cobwebs.
• Change  (Abandon your laptop for a giant sheet of butcher paper, etc.)
• Meditation (I've been wanting to do this forever for presence of mind and stress relief--anyone use meditation to good effect? I'd love to hear about it!) Om.

My Biggest Fan

Fill Your Habitat with Creativity-Inducing Things:

Craig Lew's Muse

Favorite pens/tools (Craig Lew vows nothing inspires like a fountain pen)

Pets (because they know how AWESOME you truly are) 

Writer’s notebook or a sketchbook (No censorship—just brainstorming. Let go of the pressure to produce and just play.)

Kristen Held told me of a friend who lights a scented candle whenever she writes, so now when the smell of cinnamon-infused wax wafts through the air, a Pavlovian response kicks in and the muse shows up. (I’m so adopting this. Where is that coconut cream pie candle?)

Nathalie Mvondo (Multiculturalism Rocks!)  agreed that the candle thing works, and she reminded me of the healing/helping nature of music. Work on a playlist or station for that project to get your groove on. Tried Pandora yet? I actually have a station called "emotional writing music." Yep. 

All these things remind me of the importance of a happy habitat for writing. What would help make your working space more inviting and productive?

Second Opinions:

When the writing or drawing life has you under the weather, get a second opinion. Phone a friend, set up a writing evening, enter a contest, or sign up for that conference you're on the fence about--artist friends are the ultimate first responders.  Take that risk of reaching out and branching out. It'll be good for you--and your work.

With a little collaboration, you, too, can feel, well--

star-powered

First Aid Manuals: As creative types, we're naturally drawn to books, right? 

Here are a few books you might take a look at for your first aid kit:

The Artist’s Way  by Julia Cameron (Thanks for the recommendation, Marilyn Hilton!)

Steal Like An Artist : 10 Things Nobody Told You About Being Creative by Austin Kleon 

How Not to Write a Novel :200 Classic Mistakes and How to Avoid Them--a Misstep-by-Misstep Guide by Howard Mittelmark and Sandra Newman

What acts, rituals, items, or books have you found helpful for writer comfort and mental health?   I'm stocking up!