Turbo Monkey Tales is a group blog focusing on the craft, production, marketing and consumption of Children's Literature. We are illustrators, writers, animators and media mongrels. We are readers! We are published, unpublished and self-published; agented and searching, and 100% dedicated to our Kid Lit journey, no matter where we are on the path. Join our Tribe and grab a vine. The more the merrier!
Showing posts with label scbwi. Show all posts
Showing posts with label scbwi. Show all posts

Monday, August 26, 2013

Stalking Emma Dryden


from Craig Lew

Rancho Santa Margarita, California:


It all began in a Borders Book Store thick with the smell of espresso and the sound of soccer moms gossiping.  
Yeah, that long ago...

I thought I’d do some research in the kid lit arena, possibly write a few kids books between film projects.  Should be easy.
Yeah, that naive...

I picked up a book off the Best Seller shelf with a one word title.

“WTF?  Who in their right mind would take a chance on an edgy YA novel written completely in verse?”

A rapid Google revealed the agent.


Monday, July 1, 2013

A look at the Bologna Children's Book Fair

by Hazel Mitchell

This year I visited the Bologna Children's Book Fair in Italy and I wanted to share my experience and the benefits of visiting this prestigious event.

The Fair was celebrating it's 50th year. It was my first visit to Bologna and I combined my visit with a trip home to England (where I was born) and also the Paris Europolitan SCBWI conference.


I was lucky enough to hook up with the SCBWI Illustration Co-ordinator for Europe (Kirsten Carlson who is a wonderful artist! and we shared a cute little apartment that was VERY reasonable compared with hotel rooms, right in the heart of the old city. We could walk everywhere or easily get the bus/taxi. Restaurants were on every corner and it was easy to buy groceries etc.

Bologna is the most fabulous city. The architecture is beautiful, the food amazing and the people so friendly and accommodating. This was my first trip to Italy and I am longing to go back!

I felt very safe there walking around on my own, even at night. There are so many museums, shops, art galleries, so if you go, try and give yourself a little time to get around the city as well as the fair.


Every 2nd year the SCBWI have a booth at the fair and it's a good idea to go in that year, (if you're an SCBWI member), because there will be lots of people to connect with, hangout with and go to dinner with! Find out more at http://www.scbwibologna.org/ - they will have a booth there in 2014 and lots of SCBWI happenings.


The fair is HUGE. In reality it is very much about selling rights and watching the business happening on the floor is fascinating. The halls are many and filled from wall to wall with publishers from every region of the world. It's an education to look at books from other cultures, too. You'd do well to study the guide before you get there and find out where the publishers are that you'd like to visit.

Make sure you have comfortable SHOES, stay HYDRATED and take RESTS. It's fun just to stop, find a resting place and watch the book world go by.

 Be sure to have coffee and arrive before the crowds.

So why go? For me, I was curious to visit this legendary book fair and to network with publisher's from around the world. There is also a very big contingency of illustrators attending and events for illustrators. So if you are an illustrator it makes complete sense to go.

I have to say if you're a writer, it's a big investment for what will be a great experience, but much harder to network. Having said that I know plenty of writers who've been and there are many, many editors and agents around to chat with if you network hard.

In this pic you can see the famous 'illustrator's wall' behind me where everyone leaves their postcards.

Each year there is an exhibition of illustrators which you can enter via the Bologna Fair website. It's very interesting and usually includes many avant garde illustrations from across the globe. This year there was also an exhibition of Peter Sis' work and Peter gave many talks throughout the Fair.


Peter Sis talking about his life and career in the Illustrator's Cafe. You do have to listen to the Italian translation though, which can make the sessions a wee bit ... long. Take a sketch pad!

There's lots of other great things going on, like the digital cafe which ran great panels and discussions. You will find a plethora of panels and talks to attend.

The fair runs for 4 days. It's not terribly expensive and illustrators can apply for a discount voucher to reduce the price.

Nearly all day the big publishers are in meetings and it's hard to get on their stands unless you have an appointment ...

Some of the publishers will see portfolios and they announce this on their stands for particular times during the day. I do have to say, though, standing in line with a bunch of what mostly seemed to be art students for hours didn't seem to me to be a good use of my time, but I'm sure some people are discovered that way! For me, I was happier browsing the stands and chatting to marketing/editors/art directors if available and giving them a card and taking one to follow up later.

There is a LOT to see and much of it is great fun and a visual feast. I did two days at the fair and didn't see all of it!   Here's a tip .. after the exhibition officially closes, many of the booths have drinks parties (and food!) so seek these out,  
eat cheap and meet contacts and new friends! But for goodness sake, remember those comfortable shoes!

Here are some MAD MEN ....



While you are walking around, look above when you're standing in the Illustrator's Cafe and you will see a big glass room. Go up the escalator and gaze at the rows and rows of tables and chairs, (like something from 1984), seating agents talking to buyers and look in wonder. THIS is where the real business happens!

If your publisher is there, maybe you'll find your book on display too! There are very few signings at Bologna, it's not that kind of fair. It is all about the selling.



One thing there is a lot of at Bologna is wonderful food, even in the cafes at the convention centre. This was a lovely light lunch I had on one of the days.


 And, of course, after all the walking and talking was done, there was dinner and wine and FRIENDS!



 I would thoroughly recommend a trip to Bologna, even if it is only once in a lifetime. Plan carefully, and have a great time!

Toodles
Hazel

http://hazelmitchell.com
"One Word Pearl" coming Fall 2013
Click here for my events diary













Friday, November 23, 2012

Acknowledge!



Have you ever read the acknowledgements page in a book and mentally composed one of your own? For your book that someday might be published?* 

I have. And while I hate, hate, hate to jinx any future publication, I think an acknowledgments post might be a good idea, especially the day after Thanksgiving. Writing doesn't happen in a vacuum. We are surrounded by folks who keep us going. So:

Thanks to the amazing family and friends who have never, not once, mentioned a real job.

Thanks to the mothers who wonder why we aren’t already published.

Thanks to the crit group members who have an idea of why we aren’t published- and help us improve. Thank you, Turbo Monkeys (and Slushbusters!) for reading my best attempts at chapters and giving me feedback that's made me a better writer. Bless you for believing that I could be a better writer. 

Thanks to all the editors and agents who blog about this amazing industry and make it a little less mysterious. Thanks especially for this post. If I ever meet Janet Reid, I owe her a drink. Several. I don’t know how many times I’ve reread this, but I tear up every. single. time.

Thanks to SCBWI for the conferences, for the information, for the community. Thanks to the agents and editors at those conferences who encourage pale and trembling attendees.  

Thanks to the Nevada SCBWI Mentorship Program. To Ellen and Suzy who organized it, the marvelous faculty who staffed it, and Harold who mentored me. You all made the program so special- and introduced me to my fellow Monkeys!

Thanks to Highlights for the way they support and nurture those who love kidlit. Thanks for the scholarships that allow so many to attend their programs. Thanks to Patti for the times she was fierce with me.

Thanks to the writing community in Facebook and on the web– all the wonderful people who encourage us on a daily basis. 

Thank you for following Turbo Monkey Tales! We're so fortunate that you choose to swing through the kidlit jungle with us.  

Now it's your turn: who would you like to acknowledge? And for you published folks out there, who have you already acknowledged? 




*You know, your wildly successful debut novel whose pre-order sales have already outstripped Harry Potter, Twilight, and 50 Shades combined? That book.

picture provided by Wikipedia Commons


Thursday, October 18, 2012

Whole Novel Help

By Kristen Crowley Held


You've finished your novel! Woohoo! Congratulations! Now what?


Maybe you’ve already taken advantage of opportunities at workshops and conferences to have an industry professional critique the first 5-25 pages of your manuscript. You’ve polished those first few pages until they shine, but you’re not sure the rest of your novel is up to snuff.


Is there such a thing as whole novel help?
Absolutely! Let’s take a look at some options.

MANUSCRIPT SWAPPING
Find another writer who's willing to do a manuscript swap. They critique your novel and you critique theirs. Finding a good match isn’t easy, and may take some trial and error. Get to know the other writers in your area by attending local conferences and author events. Your regional SCBWI chapter can also be a great resource. You just might discover the perfect crit partner in your own hometown, but if not, there are several websites where you can find writers who are willing to do a manuscript swap. Here are a few places to look for your perfect match (note that some of these sites require you to register in order to gain access to their boards, but registration is free):


Verla Kay’s Blue Board: Queries and Critique Requests 
Absolute Write Water Cooler: Beta Readers, Mentors, and Writing Buddies 
Nathan Bransford: Connect with a Critique Partner 

In addition, several writerly blogs have offered matchmaking services in the past and may do so again. A few to watch:
Maggie Stiefvater's Words on Words Critique Partner Love Connection 
Mary Kole's Kidlit.com Critique Connection

AUCTIONS
Bid on a whole novel critique and help out a worthy cause! Some annual opportunities to check out:





Keep your ears open for other auction opportunities that may be one-time events, but just might offer that full manuscript critique you’ve been looking for.

WORKSHOPS
Want to spend a few months working on your novel with an industry professional and have the added bonus of meeting other writers who are doing the same? These programs can be amazing opportunities to improve your craft.

(All the fabulous things you’ve heard about this program are TRUE!)


Highlights Foundation Whole Novel Workshops (Middle Grade  and Young Adult)


Many SCBWI regions also offer workshops on novel revision that include the opportunity for feedback on your entire manuscript. Check the SCBWI website under Regional Events to see if there’s an upcoming event that will work for you.

INDEPENDENT EDITORS
You can find oodles of information online about what to look for when choosing an independent editor to work with one-on-one. Here are a few our monkey tribe has had the pleasure of working with:


Whatever route you choose, keep in mind that what you are seeking is feedback, not a “quick fix.” Be sure to communicate your aspirations and expectations and give yourself time to process the input you receive.  If you approach the experience of soliciting “whole novel help” as an opportunity to learn, you really can’t lose.


And if you've already benefitted from some "whole novel help" I'd love to hear about your experiences!

Monday, August 20, 2012

A Love Thing: Married to the Writing Life


Our Craig Lew recently threw out the question, “What do you know about writing now that you didn’t two years ago?” 

Deep Thought
Two years ago, I think I saw more of the DATING aspects of writing. I had “put myself out there” and lucked upon critique partners who could see past the morning breath of one another’s first drafts to the inner beauty, and I was elated (a laughable understatement) to have just signed with an agent whose heart went pitter-pat for the same things mine did. Ah, bliss. Days of “this is what I have waited my whole life for” ensued.